Pankaj Udhas Sharabi Ghazals Mp3

Ghazal is a special kind of light Indian classical music and it is more poetic rather than musical and it is never more than 12 shers (couplets) and usually have about 7 shers. The word ‘ghazal‘ refers to a way of talking to a women. So it reflects an expression of love. But today it has touched every aspects of human life from sadness to happiness there is hardly anytihing which has not been said through it.

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  1. Her rendition of Mehdi Hassan ghazals got viral on Social Media and with her excellent talafuz pronunciation and amazing vocal quality; it remains one of the best ghazals. Pankaj Udhas sings Chitti Ayi Hai Watan Sai Chitti. Pankaj Udhas rose to fame with his exceptionally soft vocals, perfectly suited to the genre of ghazal signing.
  2. #PankajUdhas#Gazals#JukeboxTop 10 Ghazals Of Pankaj Udhas01.Chitthi Aai Hai 02.Chandi Jesa Rang Hai Tera 03.Aur Aahista Kijiye Baatein 04.Thodi Thodi Piya Ka.
  3. Best Ghazal-Pankaj Udhas-Sabko Malum Hai Main Sharabi Nahi (With Lyrics) Lets Watch Peoples. Sabko Maloom Hai Main Sharabi Nahin. EK TARAF USKA GHAR PANKAJ UDHAS IN SHARABI MOOD -by mitha majeed sokar.

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Classical Ghazal

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The art of Classical Ghazal was first introduced by Begum Akhtar and later on, Ustad Mehdi Hassan.These two artists have brought the sensuality of the ghazal and the complexity of Indian raagas to the main masses, and before their introduction, the common masses did not understand the Indian Classical Music tradition of “Khaayal”, “Thumri” and “Dadra.” A common misconception of Classical artists are that Ghazals are categorized as “light classical” when indeed that is not the case. Classical Ghazals are far more difficult to render because of the expression of the “shers” or couplets of the ghazal. Begum Akhtar and Mehdi Hassan have been hailed as the main pioneers of Ghazal “Gayaki” or singing. Other emminent maestros include Pakistani Ghazal artists Farida Khanum and Ustad Ghulam Ali.

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Ghazal and its popularity

Pankaj Udhas Ghazals

Because of the complexity of the words, only the upper class could truly understand the sweetness of the Ghazal. The common masses could not understand most of the lyrics and the traditional classical raagas they were rendered in was too difficult to understand. Ghazal has undergone some transformations which helps it to reach a huge audience around the world. The simplification of Ghazal in terms of the words and phrases helps the masses to enjoy it. Most of the Ghazals are now sung with various styles which are not limited to ‘khaayyal’, ‘thumri’, ‘raaga,’taala and other classical music.However, these forms of Ghazal are snubbed by purists of the Indian Classical Tradition. Singers like Jagjit Singh ( he was the first ghazal singer to incorporate the Western guitar in ghazals) Chandan Das,Hariharan,Pankaj Udhas and many others have been able to give ghazal a new shape by its incorporation in the field of modern music. Another young Canadian talent, Cassius Khan has also been hailed as the only classical Ghazal singer in the world who can accompany himself on the tabla. He is also capable of singing the recitational style of ghazal singing while playing the tabla, which is unique.

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