IZotope VocalSynth. Vocals, Evolved. VocalSynth 2 is an immersive vocal experience that adapts and adapts and evolves with your unique style and opens up a world of vocal possibilities. Color and shape vocals with five blendable eccentric-must-haves and stompbox-style studio effects. Is VocalSynth the natural choice for unnatural vocal sounds? The latest release from Massachusetts-based iZotope is VocalSynth. Intended as a versatile ‘one-stop’ plug-in for creating the sort of futuristic vocal sounds often heard in modern EDM, it offers the ability to generate multiple harmonies, alongside a rack of four signal-shaping ‘vocal engines’.
- Jun 22, 2020 iZotope VocalSynth 2 v2.1 WIN & MacOSX. VocalSynth 2 is an immersive vocal experience that adapts and evolves with your unique style and opens up a world of vocal possibilities. Elevate your vocal productions with iZotope’s most unique plug-in experience for vocals. Quickly get old-school sounds you need, or create a new school of vocal sounds.
- IZotope VocalSynth 2 is an immersive vocal experience that adapts and adapts and evolves with your unique style and opens up a world of vocal possibilities. Sales@toolfarm.com 1.415.462.1982.
- Year / Release Date: Version: 9.1.0 Developer: iZotope Developer’s site: iZotope Format: STANDALONE, VST, VST3, RTAS, AAX Bit: 64bit Tabletka: cured R2R System Requirements: Windows: 7, 8, and 10 / Microsoft Visual C 2017 Redistributable Package Description: iZotope Ozone is a complete and functional application that can be safely called a full-fledged system for mastering.
iZotope VocalSynth: Pitch Correction and Presets (Part 1)
iZotope VocalSynth: Pitch Correction and Presets (Part 1) - youtube VideoThis is my first of a three part video series taking a look at a brand new plug-in released from iZotope called VocalSynth. You’re seeing it right here. This plug-in is a specialized vocal processor. You can certainly use it for all kinds of other creative purposes when you’re mixing, but it’s primary use it to come up with unique and creative vocal effects.
This isn’t the first vocal processor from iZotope. They also have another popular one called Nectar. If I were to compare the two plug-ins, VocalSynth and Nectar, Nectar is more of a traditional kind of comprehensive kind of vocal plug-in.
It has your traditional effects like EQ, de-esser, compressor, that kind of stuff, and it has pages and pages of menus with every single possible parameter you’re ever going to want to tweak when you’re working on vocals.
This plug-in more is a stripped down interface, very simple and easy to use, that allows you to get great sounds very quickly. I saw good results and it focuses more on the creative style effects. You’re not going to find a main EQ page and all of that kind of stuff to do.
This plug-in pretty much assumes a lot of that processing is already done. You’re just after some kind of unique, cool vocal sounds. So what I’m going to do in these three videos, break it down to three parts, this first video we’ll have a look at what I call the input pitch correction section.
Also I’ll allow you to hear a bunch of different presets, so you can get the big picture idea of what this plug-in can really do.
In the second video, we’ll go into detail about kind of the meat of the plug-in. What it does that’s unique here. It’s got some different engines that allow you to do things like harmonize, create a vocoded sound, talkbox, compuvox, whatever that is.
So we’ll look at in detail that section in the second video.
Izotope Vocalsynth 1 Review
The third video we’ll take a look at the output section, or what I’ll call the output section. The more traditional styles of effects you add on after the fact, from distortion to delay and so on. So you can hear how those get brought in with the overall effect.
Here, I’m going to be demonstrating this plug-in in the videos using a song by a band called Arcane Atlas. They’re based out of Nashville, Tennessee. This track is a very cool kind of pop rock funk sound to it. If you want to check out more information about the band, I’ve got the information down below in the comments.
Before I get to the plug-in, let me give you just a snippet of the song so you can hear how it sounds, and then we’ll get to working with the plug-in.
[mix]
Alright. So let’s start working with the plug-in. I’ve got the default settings pulled up right here.
What I’m going to do is first focus on the pitch correction input section, and then we’ll get into some of the presets.
So with pitch correction, when the signal comes in, it’s going to allow you to do some auto-tune kinds of effects, and you can get into the range of those very extreme, T-Pain kinds of sounds too if that’s what you want to use this plug-in for. You can do that.
You can also do more subtle kinds of inaudible pitch correction if you just need to tighten up the vocal performance a little bit.
So let’s focus here and solo out the vocals and listen to what’s going on. Right off the bat, some parameters you can pick, you can decide whether you want to tune to a specific key of a song, or if you just want to use chromatic tuning.
So I know that this song is in the key of E flat, or in this case, I’ve got to pick D sharp, so I’ll do that here. And it will just tune to the notes in these scales.
Or if you want to do something custom, you can pick out notes and turn these on and off, depending on what notes that you want to use for your song. So you can pick custom if you’d like.
I’m going to go back to set the key here. Now, the pitch correction is going to be applied prior to any of the different presets. So it’ll stay the same even across the presets.
Next up is kind of the section where you can control how much the effect is going on. You’ve got a setting over here, it kind of optimizes the pitch correction that’s happening. Whether you’ve got a very high singer, like a soprano singer, you want to pick this one, if you’ve got a baritone or a bass voice for a male singer, pick this one.
But most vocalists are going to fall in this mid-range. These two knobs over here for strength and speed are going to give you kind of — you know, you can turn them all the way up to get the T-Pain kind of effect, or you can back them off a little bit so it’s not as extreme.
So I’ll let you listen to some of this. Also over here, you have a wet/dry mix, which is basically for the whole plug-in, whether you want to have some of the dry, unprocessed signal blended in, or if you want the wet.
So I’ll use this a little bit when we get into more of the other kinds of effects.
So here’s the pitch correction.
[vocals with pitch correction]
So this plug-in can get you that sound if you’re going for that. The T-Pain sort of auto-tune effect.
Next, let’s listen to some of the presets. What I’m going to do here is pull up some of the ones — you’ve got several different folders that you can pick from. Avant Garde, which is going to be more extreme sorts of effects, Contemporary, you’ve got even some Monster sounds, and Nostalgic.
So we’ll listen to several examples of these things.
Another thing that I’ll adjust here is the wet/dry mix. Some of these things sound much better if you’re blending it in in parallel with the original vocal.
So let’s bring these up here and go through some menus.
[adjusting VocalSynth]
So you can hear there’s lots of different sounds coming out of this plug-in that you can get.
Whether it’s pop music, rap, EDM, you name it, I could even see this being useful for guys that are working sound for film, trying to come up with unique ways of tweaking, or video games, some kind of sound to warp it and come up with something completely new.
Another thing that I want to show you here before we close this video is there’s also a menu here that gives you some very straight forward, easy parameters to tweak that you know, if you want to do things like change the distortion or that kind of stuff, each preset has it’s own X/Y control here. It’s going to adjust some different parameters.
So I’ll demonstrate this here. I guess with this preset, and even a couple of other ones.
[adjusting VocalSynth X/Y settings]
So what you can hear is by using this X/Y control up here at the top, you almost have four different variations, or morphable variations of each preset.
So if you like how it sounds, but you need to make some minor tweaks to it, this is a good menu to start from. Things are pretty close, you just need to make a few minor adjustments, this is a great way to do those minor tweaks to it.
So that’s all for the first video. In the next section, we’re going to take a closer look at what’s going on here in the specialized processor when we get into creating harmonies and vocoders, if you want to create your own custom sounds besides using the presets.
Until then, take care, guys.
VocalSynth 2 is an exciting vocal experience that adapts and develops with your unique style and opens up a world of new vocal possibilities.
Vocal Conversion: Transform your vocal parts with the most unique plugin. Quickly get the vintage vocal sound you need or create vocals in the spirit of a new wave. Get lost in layers, textures, effects, blending and morphing on an experimental vocal playground and you will finally find that you have discovered a secret that makes your vocals stand out. Choose and combine five unique vocal instruments or choose from hundreds of presets for a quick process.
Great Sound: VocalSynth has been rethought to get better sound, faster than ever. Thanks to improvements in almost all aspects of the plugin, it is easy for you to find your own unique sound, regardless of the genre you choose!
5 mixed, creative vocal modules:
BIOVOX: Create and manipulate your natural vocal data with the new vocal module. Using scientific modeling of the human vocal tract, tune human vocal characteristics such as nasality, vowel characteristics, and formants to give a smooth, textural vocal processing to any sound signal. Use surgical intervention to adapt, better match your idea or use it as a creative effect to make vocals more real, breathable or completely distort it!
VOCODER: A classic “talking synthesizer”, Vocoder gives you vocal sounds that you know and love in famous recordings such as Michael Jackson’s PYT, with the ability to create something new. Choose from 10 different presets and three different vocoder types, as well as fine-tuning using the Shift and Scale controls. You have never seen Vocoder with such flexibility!
COMPUVOX: Commonly known as the Speak & Spell effect, Compuvox can digitize, split, reprogram or otherwise computerize the sound of your voice. Using it gently, you can add interesting sound quality to the sound. By increasing the settings, you can change your sound to almost unrecognizable levels of digital chaos.
TALKBOX: Get the most fashionable Talkbox sounds made famous by musicians like Stevie Wonder, The Who, Peter Frampton, Bon Jovi, Chromeo, Zapp and Roger (and many others). Talkboxes can be prohibitively difficult to learn, but with VocalSynth you can get this solid classic tone with the touch of a button!
POLYVOX: polyphonic pitch shifter. Regardless of whether you want to create natural vocal harmonies resembling a human chorus, or synchronized, grainy and computerized harmonies popularized by artists such as Imogen Heap or even otherworldly sounds with biased formants, the Polyvox voice generator is for you!
Effects: Improve your vocal tracks further with a custom chain of vocal effects. The VocalSynth 2 effects section now allows you to reorder modules!
Izotope Vocalsynth 1 Full
Interactive visualization: Get to know the colorful Anemone animation that moves and grows along with the shape of your audio signal. Thanks to advanced spectral analysis that responds to the vocal characterization of vowels, Anemone associates animation with a unique audio measurement experience.
Izotope Vocalsynth 11
Plugin Integration: VocalSynth 2 works in the iZotope ecosystem of products through cross-platform communication. Like Neutron, Ozone and Tonal Balance Control, VocalSynth 2 provides seamless integration with the necessary tools for producing and analyzing music. VocalSynth 2 can be seen in Neutron 2’s Visual Mixer and Masking Meter, as well as in Tonal Balance Control, allowing you to interact and receive real-time visual feedback.
Izotope Vocalsynth 12
3 processing methods: Three different modes allow you to interact with VocalSynth 2 in a way that suits your style. Useful application setup instructions tailored to your DAW allow you to work and work easily, so you can spend more time making creative decisions:
Auto: Customize your vocals to pitch with real-time pitch correction, generate additional voices and harmonies, and smoothly blend your module settings with the intuitive VocalSynth control panel.
MIDI: Use a MIDI signal to control the pitch and create effortless custom vocal harmonies while playing. This repeats the experience of using a classic vocoder.
Side chain: Instead of using the synthesizer in VocalSynth, singing can be used as a carrier signal. This allows you to make any sounds “talk” or create new outlandish sounds that would otherwise be impossible.
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